“Melissa Williams,” Aja Monet reads, “Darnisha Harris.” Her voice is strong; it marches along, but it shakes a little, although not from nerves. She’s performing a poem that includes the forgotten names of girls and women who’ve been injured or killed by the police. She finishes forcefully, then pauses, exhales. “Can I do that again?” she asks. “It’s my first time reading it out loud, and … ” she trails off.
Monet had written the poem — a contribution to the #SayHerName campaign, a necessary CONTINUATION of the Black Lives Matter movement focusing on overlooked police violence against women — earlier that morning. That evening, she’d read it at a vigil. Now, she was practicing on camera, surprised by the power of her own words.
As a poet, Monet is prolific. She’s been performing both music and readings for some time — at 19, she was the youngest ever WINNER of New York City’s Nuyorican Poet’s Café Grand Slam — and her work has brought her to France, Bermuda and Cuba, from where her grandmother fled, and where she recently learned she still has extended family. Next month, she’ll return to visit them. But first, she wants to contribute to a campaign she believes in.
Though she’s disheartened that a hashtag is necessary to capture people’s attention — “I think #SayHerName is the surface LEVEL of the issues but beneath that there is the real question of, ‘Why?’” she says — Monet wields her art to achieve social and political justice. While discussing political poetry with a fellow artist in Palestine, he observed, “Art is more political than politics.” “I feel him,” she says. “I think he’s right.”
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